Spies, Christian. (2004) Nearly White Noise : zum Digitalen in der monochromen Malerei. In: Analog /Digital - Opposition oder Kontinuum? : zur Theorie und Geschichte einer Unterscheidung. Bielefeld, pp. 308-334.
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Official URL: http://edoc.unibas.ch/dok/A5250133
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| Faculties and Departments: | 04 Faculty of Humanities and Social Sciences > Departement Künste, Medien, Philosophie > Ehemalige Einheiten Kunstwissenschaften > Neuere Kunstgeschichte (Boehm) |
|---|---|
| UniBasel Contributors: | Spies, Christian |
| Item Type: | Book Section |
| Book Section Subtype: | Further Contribution in a Book |
| Publisher: | transcript |
| ISBN: | 3-89942-254-6 |
| Series Name: | Medienumbrüche |
| Issue Number: | Bd. 2 |
| Note: | Publication type according to Uni Basel Research Database: Book item |
| Last Modified: | 22 Mar 2012 14:30 |
| Deposited On: | 22 Mar 2012 14:12 |
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