Egenhofer, Sebastian. (2009) Guss und Projektion : die ready-mades und das Grosse Glass. In: Topologie : Falten, Knoten, Netze, Stülpungen in Kunst und Theorie. Wien, pp. 193-233.
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Official URL: http://edoc.unibas.ch/dok/A5262042
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Abstract
The relation of Marcel Duchamps Readymades to the same artists LARGE GLASS. A reading of the Readymades as the threedimensional projections of the fourdimensional Bride. A reading of the LARGE GLASS in relation to its philosophical and scientific context (Henri Bergson, Henri Poincaré etc.). A full interpretation of the Readymades becoming - an art work, as the process that starts with the declaration, i.e. with the cut through fourdimensional becoming, that is the dated space of the now.
| Faculties and Departments: | 04 Faculty of Humanities and Social Sciences > Departement Künste, Medien, Philosophie > Ehemalige Einheiten Kunstwissenschaften > Zeitgenössische Kunst (Egenhofer) |
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| UniBasel Contributors: | Egenhofer, Sebastian |
| Item Type: | Book Section |
| Book Section Subtype: | Book Chapter |
| Publisher: | Turia + Kant |
| ISBN: | 978-3-85132-556-0 |
| Note: | Publication type according to Uni Basel Research Database: Book item |
| Last Modified: | 22 Mar 2012 14:30 |
| Deposited On: | 22 Mar 2012 14:13 |
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