Browse by Basel Contributors ID

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2014

Hohl Trillini, Regula. (2014) "Hamlet in der Kriminalliteratur". In: Hamlet-Handbuch. Tübingen, pp. 520-525.

Hohl Trillini, Regula. (2014) Hamlet-Zitate in der englischen Sprache und Literatur. In: Hamlet-Handbuch. Tübingen, pp. 529-532.

2011

Hohl Trillini, Regula. (2011) Don't worry, be trendy : Shakespeares Rezeption als ermutigender Modellfall. In: Anglistentag 2010 Saarbrücken : proceedings. Trier, pp. 19-24.

Hohl Trillini, Regula. (2011) 2B or not 2B: Hamlet lebt weiter. Alumni Magazine der Universität Basel. Alumni Magazine der Universität Basel. p. 12.

2010

Trillini, Regula Hohl and Quassdorf, Sixta. (2010) A 'key to all quotations'? A corpus-based parameter model of intertextuality. Linguistic and Literary Computing, Vol. 25, No. 3. pp. 269-286.

2009

Bezzola Lambert, Ladina and Ochsner, Andrea and Jermann, Jennifer and Hohl Trillini, Regula and Marti, Markus, eds. (2009) Moment to Monument : The Making and Unmaking of Cultural Significance. Cultural studies (Transcript), Vol. 32. Bielefeld.

Hohl Trillini, Regula. (2009) Like perfect music unto noble words" : Gender metaphors in Victorian poetry. In: Dichotonies. Gender and Music. Heidelberg, pp. 147-162.

Hohl Trillini, Regula and Langlotz, Andreas. (2009) The Grammar of "To Be Or Not To Be". In: Phraseologie disziplinär und interdisziplinär. Tübingen, pp. 155-166.

Hohl Trillini, Regula. (2009) Hamlet and textual re-production 1550-1650. In: The Construction of Textual Identity in Medieval and Early Modern Literature. Tübingen, pp. 163-176.

2008

Hohl Trillini, Regula. (2008) The gaze of the listener : Shakespeare's sonnet 128 and early modern discourses of music and gender. Music and letters, 89, no. 1. pp. 1-17.

Hohl Trillini, Regula. (2008) The Gaze of the Listener : English Representations of Domestic Music-Making. Word and music studies, 10. Amsterdam.

Hohl Trillini, Regula and Quaßdorf, Sixta. (2008) Quotations and their co(n)texts : Corpus-based insights into discoursing with Hamlet. In: Variability and change in language and discourse. Strasbourg, pp. 141-155.

2007

Hohl Trillini, Regula. (2007) Tom, Dick and ... Jack in the OED and in Sonnet 128. Shakespeare-Jahrbuch, 143. pp. 177-179.

2006

Hohl Trillini, Regula. (2006) The Dear Dead Past : the Piano in 19th-Century Poetry. In: Phrase and subject : Studies in Literature and Music . London, pp. 112-124.

Hohl Trillini, Regula. (2006) Der Zuhörer ist ganz Auge.

2005

Hohl Trillini, Regula. (2005) Hamlet und die Folgen.

2003

Engler, Balz and Hohl Trillini, Regula and Quaßdorf, Sixta. (2003) HyperHamlet.

2001

Hohl Trillini, Regula. (2001) [Rezension von] Phyllis Weliver: Woman Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home. The George Eliot review, 32. pp. 91-92.

1997

Hohl Trillini, Regula. (1997) Stimmengewirr aus schwierigen Zeiten: Erzählen über schlimme Frauen bei Raabe und Grimmelshausen. Jahrbuch der Raabe-Gesellschaft, 38. pp. 123-146.