Browse by Basel Contributors ID

Article

Trillini, Regula Hohl and Quassdorf, Sixta. (2010) A 'key to all quotations'? A corpus-based parameter model of intertextuality. Linguistic and Literary Computing, Vol. 25, No. 3. pp. 269-286.

Hohl Trillini, Regula. (2008) The gaze of the listener : Shakespeare's sonnet 128 and early modern discourses of music and gender. Music and letters, 89, no. 1. pp. 1-17.

Hohl Trillini, Regula. (2007) Tom, Dick and ... Jack in the OED and in Sonnet 128. Shakespeare-Jahrbuch, 143. pp. 177-179.

Hohl Trillini, Regula. (2001) [Rezension von] Phyllis Weliver: Woman Musicians in Victorian Fiction, 1860-1900: Representations of Music, Science and Gender in the Leisured Home. The George Eliot review, 32. pp. 91-92.

Hohl Trillini, Regula. (1997) Stimmengewirr aus schwierigen Zeiten: Erzählen über schlimme Frauen bei Raabe und Grimmelshausen. Jahrbuch der Raabe-Gesellschaft, 38. pp. 123-146.

Book

Bezzola Lambert, Ladina and Ochsner, Andrea and Jermann, Jennifer and Hohl Trillini, Regula and Marti, Markus, eds. (2009) Moment to Monument : The Making and Unmaking of Cultural Significance. Cultural studies (Transcript), Vol. 32. Bielefeld.

Hohl Trillini, Regula. (2008) The Gaze of the Listener : English Representations of Domestic Music-Making. Word and music studies, 10. Amsterdam.

Book Section

Hohl Trillini, Regula. (2014) "Hamlet in der Kriminalliteratur". In: Hamlet-Handbuch. Tübingen, pp. 520-525.

Hohl Trillini, Regula. (2014) Hamlet-Zitate in der englischen Sprache und Literatur. In: Hamlet-Handbuch. Tübingen, pp. 529-532.

Hohl Trillini, Regula. (2011) Don't worry, be trendy : Shakespeares Rezeption als ermutigender Modellfall. In: Anglistentag 2010 Saarbrücken : proceedings. Trier, pp. 19-24.

Hohl Trillini, Regula. (2009) Like perfect music unto noble words" : Gender metaphors in Victorian poetry. In: Dichotonies. Gender and Music. Heidelberg, pp. 147-162.

Hohl Trillini, Regula and Langlotz, Andreas. (2009) The Grammar of "To Be Or Not To Be". In: Phraseologie disziplinär und interdisziplinär. Tübingen, pp. 155-166.

Hohl Trillini, Regula. (2009) Hamlet and textual re-production 1550-1650. In: The Construction of Textual Identity in Medieval and Early Modern Literature. Tübingen, pp. 163-176.

Hohl Trillini, Regula and Quaßdorf, Sixta. (2008) Quotations and their co(n)texts : Corpus-based insights into discoursing with Hamlet. In: Variability and change in language and discourse. Strasbourg, pp. 141-155.

Hohl Trillini, Regula. (2006) The Dear Dead Past : the Piano in 19th-Century Poetry. In: Phrase and subject : Studies in Literature and Music . London, pp. 112-124.

Preprint

Engler, Balz and Hohl Trillini, Regula and Quaßdorf, Sixta. (2003) HyperHamlet.

Working Paper

Hohl Trillini, Regula. (2006) HyperHamlet©: Making a Corpus Out of the Literature Online Corpus. [S.l.].

Newspaper or Magazine Article

Hohl Trillini, Regula. (2011) 2B or not 2B: Hamlet lebt weiter. Alumni Magazine der Universität Basel. Alumni Magazine der Universität Basel. p. 12.

Hohl Trillini, Regula. (2006) Der Zuhörer ist ganz Auge.

Hohl Trillini, Regula. (2005) Hamlet und die Folgen.