Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Altertumswissenschaften > Fachbereich Gräzistik"

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Bierl, Anton. (2017) Rezension von: John Scheid, Jesper Svenbro: La tortue et la lyre. Dans l’atelier du mythe antique. Paris: CNRS Editions 2014. Gnomon, 89 (5). pp. 385-389.

Bierl, Anton. (2017) The Bacchic-Chor(a)ic Chronotope: Dionysus, Chora and Chorality in the Fifth Stasimon of Sophocles’ Antigone. In: Time and Space in Ancient Myth, Religion and Culture. Berlin/New York, pp. 99-144.

Bierl, Anton. (2017) ‘Hail and Take Pleasure!’ Making Gods Present In Narration Through Choral Song and Other Epiphanic Strategies in the Homeric Hymns to Dionysus and Apollo. In: The Winnowing Oar. New Perspectives in Homeric Studies. Berlin/New York, pp. 231-266.

Bierl, Anton and Christopoulos, Menelaos and Papachrysostomou, Athina. (2017) Preface. In: Time and Space in Ancient Myth, Religion and Culture. Berlin/New York, ix-xvii.

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Coray, Marina. (2016) Homers Ilias. Gesamtkommentar. Band XI: Achtzehnter Gesang. Faszikel 2: Kommentar. Sammlung wissenschaftlicher Commentare. Berlin.

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Lämmle, Rebecca. (2014) Das Satyrspiel. In: Handbuch der griechischen Literatur der Antike, Bd. 2: Die Literatur der nachklassischen Zeit. München, pp. 926-967.

Lämmle. Rebecca, . (2014) Quartum datur: Das Satyrspiel in der tragischen Tetralogie. In: Die Macht des Vierten : über eine Ordnung der europäischen Kultur.. Hamburg, pp. 99-119.

Lämmle, Rebecca. (2013) Euripides. In: Historische Gestalten der Antike. Stuttgart, pp. 439-452.

Lämmle, Rebecca. (2013) Poetik des Satyrspiels. Bibliothek der klassischen Altertumswissenschaften. Neue Folge. Reihe 2, Bd. 136. Heidelberg.

Lämmle, Rebecca. (2012) [Rezension von] Franco Ferrari, Sappho’s Gift, The Poet and Her Community : Ann Arbor, 2010. Museum Helveticum, Vol. 69. p. 210.

Lämmle, Rebecca and Scheidegger Lämmle, Cédric. (2012) Homer on Kithairon : Negotiating Narrative and Dramatic Representation in Euripides’ Bacchae. The classical journal, Vol. 108, no. 2. pp. 129-158.

Lämmle, Rebecca. (2011) Das Satyrspiel. In: Handbuch der griechischen Literatur der Antike. Bd. 1, Die Literatur der archaischen und klassischen Zeit, 2011. München, pp. 611-663.

Lämmle, Rebecca. (2011) [Rezension von] Eric Csapo, Actors and Icons of the Ancient Theater : Malden, MA, 2010. Museum Helveticum, Vol. 68. pp. 225-226.

Lämmle, Rebecca. (2011) [Rezension von] Gregory Dobrov (Hg.), Brill’s Companion to the Study of Greek Comedy : Leiden/Boston, 2010. Museum Helveticum, Vol. 68. pp. 217-218.

Lämmle, Rebecca. (2010) [Rezension von] Dee L. Clayman, Timon of Phlius, Pyrrhonism into Poetry : Berlin/New York, 2009. Museum Helveticum, Vol. 67. pp. 239-240.

Lämmle, Rebecca. (2009) [Rezension von] Euripides VIII, Fragments, Oedipus-Chrysippus, Other Fragments : Cambridge, MA/London, UK, 2008 Euripides. VII/VIII: Fragments. VII: Aegeus–Meleager; VIII: Oedipus–Chrysippus; Other Fragments. Edited and translated by Christopher Collard and Martin Cropp. Loeb Classical Library, Cambridge MA/London 2008. VII: XXXIX, 640 S.; VIII: XXIII, 710 S. Museum Helveticum, 66 (4). pp. 234-235.

Lämmle, Rebecca. (2009) [Rezension von] S. Douglas Olson, Broken Laughter, Select Fragments of Greek Comedy : Oxford/New York, 2007. Museum Helveticum, Vol. 66. p. 235.

Lämmle, Rebecca. (2008) [Rezension von] Charles Platter, Aristophanes and the Carnival of Genres : Baltimore, 2007. Museum Helveticum, Vol. 65. pp. 222-223.

Lämmle, Rebecca. (2008) [Rezension von] Natalia Kyriakidi, Aristophanes und Eupolis, Zur Geschichte einer dichterischen Rivalität : Berlin/New York, 2007. Museum Helveticum, Vol. 65. pp. 223-224.

Lämmle, Rebecca. (2007) Der eingeschlossene Dritte : zur Funktion des Dionysos im Satyrspiel. In: Literatur und Religion : Wege zu einer mythisch-rituellen Poetik bei den Griechen. München, pp. 335-386.

Lämmle, Rebecca. (2007) [Rezension von] Enrico Medda Maria Serena Mirto/Maria Pia Pattoni (Hgg.), ΚΩΜΩΙΔΟΤΡΑΓΩΙΔΙΑ, Intersezioni del tragico e del comico nel teatro del V secolo a.C. : Pisa, 2006. Museum Helveticum, Vol. 64. pp. 240-241.

Lämmle, Rebecca. (2007) [Rezension von] Gary S. Meltzer, Euripides and the Poetics of Nostalgia : Cambridge, 2006. Museum Helveticum, Vol. 64. p. 230.

Lämmle, Rebecca. (2007) [Rezension von] Hesiod I, Theogony, Works and Days, Testimonia, Edited and translated by Glenn W. Most : Cambridge, MA/London, 2006. Museum Helveticum, Vol. 64. p. 227.

Lämmle, Rebecca. (2007) [Rezension von] James Robson, Humour, Obscenity and Aristophanes : Tübingen, 2006. Museum Helveticum, Vol. 64. p. 231.

Lämmle, Rebecca. (2007) [Rezension von] Martin Amann, Komik in den Tristien Ovids : Basel, 2006. Museum Helveticum, Vol. 64. pp. 244-245.

Lämmle, Rebecca. (2007) [Rezension von] Richard Hunter (Hg.), The Hesiodic Catalogue of Women, Constructions and Reconstructions : Cambridge, 2005. Museum Helveticum, Vol. 64. p. 228.

Lämmle, Rebecca. (2007) [Rezension von] Richard Seaford, Dionysos : London, 2006. Museum Helveticum, Vol. 64. pp. 265-266.

Lämmle, Rebecca. (2007) [Rezension] Martina Hirschberger, Gynaikōn Katalogos und Megalai Ēhoiai, Ein Kommentar zu den Fragmenten zweier Hesiodeischer Epen : München/Leipzig, 2004. Museum Helveticum, Vol. 64. pp. 227-228.

Lämmle, Rebecca. (2006) [Rezension von] Dimitrios Yatromanolakis und Panagiotis Roilos (Hgg.), Greek Ritual Poetics : Cambridge, 2004. Museum Helveticum, Vol. 63. p. 223.

Lämmle, Rebecca. (2006) [Rezension von] Euripide, Il Ciclope, Introduzione, traduzione e note di Guido Paduano : Milano, 2005. Museum Helveticum, Vol. 63. p. 212.

Lämmle, Rebecca. (2006) [Rezension von] George W. Harrison (Hg.), Satyr Drama, Tragedy at Play : Swansea, 2005. Museum Helveticum, Vol. 63. pp. 224-225.

Lämmle, Rebecca. (2006) [Rezension von] Martin Revermann, Comic Business, Theatricality, Dramatic Technique, and Performance Contexts of Aristophanic Comedy : Oxford, 2006. Museum Helveticum, Vol. 63. p. 225.

Lämmle, Rebecca. (2005) [Rezension von] Euripides, Selected Fragmentary Plays, Volume II, Edited with Introductions, Translations and Commentaries by C. Collard, M. J. Kropp and J. Gibert : Oxford, 2004. Museum Helveticum, Vol. 62. p. 225.

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Stoevesandt, Magdalene. (2014) Rezension zu: Catherine Collobert: Parier sur le temps. La quête héroïque d'immortalité dans l'épopée homérique, Paris 2011. Gnomon, Bd. 86, H. 1. pp. 1-5.

Stoevesandt, Magdalene. (2008) Homers Iliad. Gesamtkommentar. Band IV: Buch VI. Faszikel 2: Kommentar. Sammlung wissenschaftlicher Commentare. Berlin.

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Willi, Andreas. (2015) Epicharmus, the Pseudepicharmeia, and the Origins of Attic Drama. In: Fragmente einer Geschichte der griechischen Komödie = Fragmentary History of Greek Comedy. Heidelberg, pp. 109-145.

Willi, Andreas. (2015) The language of Greek literature. In: A Companion to Greek Literature. Chichester, pp. 443-460.

Willi, Andreas. (2014) The language(s) of comedy. In: The Cambridge Companion to Greek Comedy. Cambridge, pp. 168-185.

Willi, Andreas. (2012) Challenging authority: Epicharmus between epic and rhetoric. In: Theater Outside Athens: Drama in Greek Sicily and South Italy. Cambridge, pp. 56-75.

Willi, Andreas. (2012) Greek. In: Languages from the World of the Bible. Berlin, pp. 209-241.

Willi, Andreas. (2012) ‘We speak Peloponnesian’: tradition and linguistic identity in post-classical Sicilian literature. In: Language and Linguistic Contact in Ancient Sicily. Cambridge, pp. 265-288.

Willi, Andreas. (2010) Campaigning for utilitas: style, grammar and philosophy in C. Iulius Caesar. In: Colloquial and Literary Latin. Cambridge, pp. 229-242.