Items where Division is "04 Faculty of Humanities and Social Sciences > Departement Sprach- und Literaturwissenschaften > Fachbereich Englische Sprach- und Literaturwissenschaft > English Modern Literature (Habermann)"

Article

Keller, Daniela. (2014) Rev. of Travelling Goods, Travelling Moods. Varieties of Cultural Appropriation (1850-1950), ed. Christian Huck and Stefan Bauernschmidt. Journal for the study of British cultures, Vol. 21, H. 1. pp. 106-109.

Marti, Markus. (2012) Objective reviews? No, thanks! Cahiers Elisabethains, 2012. pp. 27-30.

Marti, Markus. (2012) Shakespeare als Unterhaltungsautor - Shakespeare-Aufführungen auf Schweizer Bühnen. Shakespeare-Jahrbuch, Vol. 148. pp. 199-206.

Marti, Markus. (2011) Eindampfen, destillieren, entschlacken - oder lieber nicht? Richard III in Basel, Was ihr Wollt und Volpone in Zürich. Shakespeare-Jahrbuch, Vol. 147. pp. 208-213.

Marti, Markus. (2010) Liebeswirren - mal leicht, mal schwer : Shakespeare auf Schweizer Alternativbühnen. Shakespeare-Jahrbuch, Bd. 146. pp. 212-217.

Habermann, Ina. (2009) "What Sounds are Those, Helvellyn?" : William Wordsworths geistige Landschaften. Colloquium Helveticum, 39(2008). pp. 41-60.

Habermann, Ina. (2009) Review of "Upward Mobility and the Common Good, toward a Literary History of the Welfare State" by Bruce Robbins : Princeton: Princeton University Press, 2007. Zeitschrift für Anglistik und Amerikanistik, 57 (1). pp. 93-94.

Habermann, Ina. (2009) [Review of] "Shakespeares Komödien. Spiele aus dem Reich der Freiheit" by Ekkehart Krippendorff : (Berlin: Kulturverlag Kadmos, 2007). Archiv für das Studium der neueren Sprachen und Literaturen, Vol. 246. pp. 179-181.

Habermann, Ina. (2009) [Review of] Dympna Callaghan, The Impact of Feminism on Renaissance Studies, Basingstoke (Palgrave Macmillan) 2006, XIV–346 S., ISBN 1-4039-9212-6, GBP 55,00. Francia Recensio : Forschungen zur westeuropäischen Geschichte, 2009, No. 1.

Habermann, Ina. (2009) [Rezension von] Beck, Rudolf, Kuester, Hildegard und Kuester, Martin: Basislexikon anglistische Literaturwissenschaft : München 2007. Anglia, 127 (3). pp. 533-536.

Marti, Markus. (2009) Auf dem Laufsteg, an der Warenbörse, im Atomkraftwerk - erprobt die Schweiz neue Spielwelten. Shakespeare-Jahrbuch, Bd. 145. pp. 217-225.

Marti, Markus. (2009) [Rezension von:] Susanne Kaul. Poetik der Gerechtigkeit: Shakespeare - Kleist. Anglistik, Vol. 20. pp. 220-221.

Habermann, Ina. (2007) Review of "Feminism and Territoriality, a Bifocal Case Study of Literary Irelands" by Susanne Hagemann : Trier: wvt, 2005. Anglia, 125 (3). pp. 571-574.

Habermann, Ina. (2007) Review of "Rhetoric and Renaissance Culture" by Heinrich F. Plett : Berlin: de Gruyter, 2004. Anglia, 125 (2). pp. 367-370.

Habermann, Ina. (2007) [Rezension von] Forgone Nations - Constructions of National Identity in Elizabethan Historiography and Literature - Stanihurst, Spenser, Shakespeare by Florian Kläger : Trier, wvt 2006. Journal for the study of British cultures, Vol. 14, H. 2. pp. 178-179.

Habermann, Ina. (2006) [Review of] Literaturwissenschaft in Theorie und Praxis. Eine anglistischamerikanistische Einführung. Ed. Ralf Schneider unter Mitwirkung von Christina Spittel / Hans-Werner Ludwig und Thomas Rommel: Studium Literaturwissenschaft. Arbeitstechniken und Neue Medien. Archiv für das Studium der neueren Sprachen und Literaturen, Vol. 243,. pp. 144-146.

Bezzola Lambert, Ladina. (2005) Moving in circles : the dialectics of selfhood in religio medici. Renaissance Studies, vol. 19, no. 3. pp. 364-379.

Habermann, Ina. (2005) Review of "Theorien der Literatur, Grundlagen und Perspektiven" edited by Hans Vilmar Geppert and Hubert Zapf (Tübingen and Basel: Francke, 2003), "Theory Matters" by Vincent B. Leitch (New York, London: Routledge, 2003. Zeitschrift für Anglistik und Amerikanistik, 53 (4). pp. 411-413.

Habermann, Ina. (2005) [Rezension von] Angela McRobbie (2005), The Uses of Cultural Studies - a textbook : London et al., Sage 2005, 211 S., £ 18.99, ISBN 1-4129-845-0. Journal for the study of British cultures, Vol. 12, H. 2. pp. 175-176.

Habermann, Ina. (2004) [Rezension von] A Fast-Forward Version of England by Silvia Mergenthal : Heidelberg, Winter 2003. Journal for the study of British cultures, Vol. 11, H. 1. pp. 94-96.

Marti, Markus. (2004) William Collins: "The passions (an ode for music)". Harass, Vol. 19. pp. 109-119.

Habermann, Ina. (2003) Review of "Plotting Women, Gender and Narration in the Eighteenth- and Nineteenth-Century British Novel" by Alison A. Case : Charlottesville: University Press of Virginia, 1999. Zeitschrift für Anglistik und Amerikanistik, 50 (4). pp. 529-530.

Habermann, Ina and Feldmann, Doris. (2003) Das Graduiertenkolleg Kulturhermeneutik im Zeichen von Differenz und Transdifferenz an der Friedrich-Alexander-Universität Erlangen-Nürnberg. Anglistik, Vol. 14, H. 2. pp. 105-112.

Bezzola Lambert, Ladina. (2002) Envisioning a plurality of worlds : metaphors as systems of thought. Papers on French seventeenth century literature, Vol. 57. pp. 361-386.

Habermann, Ina. (2002) [Rezension von] The Practice of Cultural Analysis - Exposing Inter-disciplinary Interpretation, edited by Mieke Bal : Stanford, Stanford University Press 1999. Journal for the study of British cultures, Vol. 9, H. 2. pp. 233-234.

Habermann, Ina. (2001) Review of "Lebenstexte, Literarische Selbststilisierungen englischer Frauen in der frühen Neuzeit" by Gabriele Rippl : München: Wilhelm Fink Verlag, 1998. Zeitschrift für Anglistik und Amerikanistik, 49 (2). pp. 185-186.

Habermann, Ina and Feldmann, Doris. (2000) Review of "A Revolution in Sentiments, Manners, and Moral Opinions, Catharine Macaulay und die politische Kultur des englischen Radikalismus, 1760-1790" by Vera Nünning : Heidelberg: Universitätsverlag C. Winter, 1998. Zeitschrift für Anglistik und Amerikanistik, 48 (1). pp. 80-82.

Habermann, Ina. (1999) Review of "The Culture of Slander in Early Modern England" by Lindsay M. Kaplan : Cambridge : Cambridge University Press, 1997. Anglia, 117 (4). pp. 597-600.

Book

Habermann, Ina and Keller, Daniela, eds. (2016) English Topographies in Literature and Culture. Space, Place, and Identity. Spatial practices, 23. Leiden.

Habermann, Ina and Witen, Michelle, eds. (2016) Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. Palgrave Shakespeare studies. London.

Habermann, Ina, ed. (2013) Political Topographies. Journal for the study of British cultures, 20 (2). Würzburg.

Habermann, Ina. (2010) Myth, memory and the middlebrow: Priestley, du Maurier and the symbolic form of Englishness. Basingstoke.

Marti, Markus. (2010) William Shakespeare's Sonnets = William Shakespeares Sonette = Dum Willjam Scheikspiir schiini Sonetti. Dozwil.

Gomringer, Eugen. (2009) Der Sonette Gezeiten. Von der Konstellation zum Sonett. Essay / The sonnets' tides. From constellations to the sonnet. essay. Dozwil.

Marti, Markus and Brönnimann, Werner and Jermann, Jennifer, eds. (2008) The two gentlemen of Verona = Die zwei Herren aus Verona : englisch-deutsche Studienausgabe. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Tübingen.

Marti, Markus. (2008) Titus Andronicus : englisch-deutsche Studienausgabe. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Tübingen.

Marti, Markus and Gomringer, Eugen. (2008) Eines Sommers Sonette = A summer's sonnets. Dozwil.

Habermann, Ina and Feldmann, Doris, eds. (2006) Theorizing Difference and Transdifference. Journal for the Study of British Cultures, Vol. 13, H. 2 (2006). Tübingen.

Bezzola Lambert, Ladina and Engler, Balz, eds. (2004) Shifting the scene : Shakespeare in European culture. Newark, NJ.

Habermann, Ina. (2003) Staging slander and gender in early modern England. Women and gender in the early modern world. Aldershot.

Bezzola Lambert, Ladina. (2002) Imagining the unimaginable : the poetics of early modern astronomy. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 58. Amsterdam.

Marti, Markus. (1995) Timon of Athens = Timon von Athen. Englisch-deutsche Studienausgabe der Dramen Shakespeares. Tübingen : Basel.

Book Section

Habermann, Ina. (2017) The Pressburger Touch. Ein ungarischer Jude im britischen Filmgeschäft. In: Lebenskunst. Erkundungen zu Biographie, Lebenswelt und Erinnerung. Festschrift für Jacques Picard. Köln, pp. 133-142.

Lüthi, Daniel. (2017) Jenseits der Todorov’schen Grenze: Versuch eines Brückenschlags zwischen zeitgenössischer Fantastik und Fantasy anhand von Michel Mettlers Roman Die Spange (2006). In: Funktionen der Fantastik. Neue Formen des Weltbezugs von Literatur und Film nach 1945. Heidelberg, pp. 155-171.

Habermann, Ina and Keller, Daniela. (2016) English Topographies: Introduction. In: English Topographies in Literature and Culture. Space, Place, and Identity. Leiden , pp. 1-13.

Witen, Michelle. (2016) 'A Musical Pattern of Sound': Absolute Music and Four Quartets. In: The Edinburgh Companion to T. S. Eliot and the Arts. Edinburgh, pp. 179-188.

Habermann, Ina. (2014) Hamlets Misogynie? In: Hamlet-Handbuch. Stuttgart, pp. 62-66.

Habermann, Ina. (2013) Wann denkt Shakespeare an Ovid? In: Carmen Perpetuum. Ovids Metamorphosen in der Weltliteratur. Basel, pp. 149-163.

Habermann, Ina. (2011) Reaching Beyond Silence: Metaphors of Ineffability in English Poetry — Donne, Wordsworth, Keats, Eliot. In: Beyond Cognitive Metaphor Theory. Perspectives on Literary Metaphor. New York, pp. 77-93.

Habermann, Ina. (2011) Shakespeare’s Comedies: A Midsummer Night’s Dream and Twelfth Night. In: A History of British Drama: Genres, Developments, Interpretations. Trier, pp. 47-62.

Habermann, Ina and Kern-Stähler, Annette. (2010) Introduction: Literature and Silence. In: Anglistentag 2009 Klagenfurt: Proceedings. Trier, pp. 377-381.

Marti, Markus. (2010) Not needed, but nice to have: Shakespeare's Sonnets in Swiss German (Schwyzerdütsch). In: William Shakespeare's sonnets for the first time globally reprinted : a quatercentenary anthology. Dozwil, pp. 667-675.

Habermann, Ina. (2009) Die Welt als Gutshof – von der Illusion, unpolitisch bleiben zu können. In: Wolfgang Clemen im Kontext seiner Zeit : ein Beitrag zur Wissenschaftsgeschichte vor und nach dem Zweiten Weltkrieg. Heidelberg, pp. 103-118.

Habermann, Ina. (2009) May Sinclair. In: Kindlers Literatur Lexikon. Stuttgart, p. 191.

Habermann, Ina. (2009) The life and death of harriet frean. In: Kindlers Literatur Lexikon. Stuttgart, pp. 191-192.

Habermann, Ina. (2007) England an Island: Englishness as a symbolic form in Jacquetta Hawkes's a Land (1951). In: Insular mentalities : mental maps of Britain : essays in honour of Bernd Lenz. Passau, pp. 89-102.

Bernays, Ludwig and Marti, Markus. (2006) Shakespeare In A Roman Garb. In: Gulielmi Shakespeare Carmina Latine Reddita = Latin elegies after William Shakespeare's sonnets = Lateinische Elegien nach den Sonetten Shakespeares. Dozwil, pp. 209-228.

Habermann, Ina. (2006) British Cinema and "the People’s War". In: Medialised Britain. Passau, pp. 119-139.

Habermann, Ina. (2005) Modifikationen des Modernismus – Medialität, Identität, Populärkultur. In: Kulturgeschichte der englischen Literatur : von der Renaissance bis zur Gegenwart. Tübingen, pp. 251-264.

Habermann, Ina. (2005) Tennis mit Kanonenkugeln – Heinrich V und die Dynamik der Macht. In: König Heinrich V. Cadolzburg, pp. 387-411.

Habermann, Ina. (2004) She has that in her belly will dry up your ink: Femininity as challenge in the equitable drama of John Webster. In: Literature, politics and law in Renaissance England. Basingstoke, pp. 100-122.

Habermann, Ina. (2004) Theatre and the Law: The Concept of Equity in John Webster's The White Devil. In: Realigning Renaissance Culture: Intrusion and Adjustment on the Renaissance Stage. Trier, pp. 137-148.

Habermann, Ina. (2003) The Archers’ Tale: Images of Britain in the Films of Michael Powell and Emeric Pressburger. In: Anglistentag 2002 Bayreuth: Proceedings. Trier, pp. 295-306.

Marti, Markus. (2003) Sonett Nr. 18. In: - lesen, wie krass schön du bist konkret : William Shakespeare, Sonett 18 vermittelt durch deutsche Übersetzer in 154 + 1 Versionen. Dozwil, 124; 153.

Bezzola Lambert, Ladina. (2002) The consumed image : friendship in Montaigne and Bacon. In: Masculinities - Maskulinitäten. Stuttgart, pp. 186-193.

Habermann, Ina. (2002) Death by Water : the Theory and Practice of Shipwrecking. In: Fictions of the sea : critical perspectives on the ocean in British literature and culture. Aldershot, pp. 104-121.

Habermann, Ina. (2002) Elizabeth Bowen. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 56-57.

Habermann, Ina. (2002) Elizabeth Cary. In: Metzler-Lexikon englischsprachiger Autorinnen und Autoren. Stuttgart, pp. 104-105.

Habermann, Ina. (2002) May Sinclair. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 533-534.

Habermann, Ina and Feldmann, Doris. (2002) Cultural Feminism. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 54-55.

Habermann, Ina and Feldmann, Doris. (2002) Gendered Identity. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 145-146.

Habermann, Ina and Feldmann, Doris. (2002) Geschlechterrolle. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 158-159.

Habermann, Ina and Feldmann, Doris. (2002) Women's Cultural Criticism. In: Metzler Lexikon Gender Studies - Geschlechterforschung : Ansätze - Personen - Grundbegriffe. Stuttgart, pp. 407-408.

Habermann, Ina and Schabert, Ina. (2002) Einleitung. In: Imaginationen des Anderen im 16. und 17. Jahrhundert. Wiesbaden, pp. 7-24.

Habermann, Ina. (2001) On the pain of not being English. In: Common ground? : crossovers between cultural studies and postcolonial studies. Trier, pp. 137-151.

Habermann, Ina. (2000) Two, by their bloods, and by thy Spirit one: Sir Philip Sidney and Mary Sidney Herbert, Countess of Pembroke. In: Bi-Textualität : Inszenierungen des Paares : ein Buch für Ina Schabert. Berlin, pp. 29-44.

Habermann, Ina and Klein, Bernhard. (2000) Shakespeare: Die Historien. In: Shakespeare-Handbuch : die Zeit, der Mensch, das Werk, die Nachwelt. Stuttgart, pp. 324-380.

Habermann, Ina. (1999) The Taming of the Masculine Scold : Misconstrued Femininities in Swetnam, the Woman-hater. In: Differenzen in der Geschlechterdifferenz : aktuelle Perspektiven der Geschlechterforschung = Differences within gender studies. Berlin, pp. 222-240.

Marti, Markus. (1996) William Shakespeare : Sonett Nr. 66. In: Shakespeare : sechsundsechzig Variationen über ein Sonett. Göttingen, p. 242.

Conference or Workshop Item

Bezzola Lambert, Ladina. (2009) Shakespeare's belated Lucrece. In: The construction of textual identity in medieval and early modern literature. Tübingen, pp. 143-161.

Bezzola Lambert, Ladina. (2008) The art of anamorphosis in new historicist criticism. In: Mediality - intermediality. Tübingen, pp. 125-138.

Habermann, Ina. (2004) Einleitung – Panel 5: Lehrinhalte und Qualifikationsprofile. In: Kulturwissenschaften in der Anglistik : eine Standortbestimmung; Dokumentation einer Tagung an der Universität Dortmund, 8. bis 10. April 2003. Dortmund, pp. 44-45.

Thesis

Eberhardt, Arthur. Binary Narratives: The Male Gaze and Otherness in Contemporary Science Fiction Films. 2023, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Felber, Nicolas Ivan. Dogs in the Deluge: Canine Companionship in Young Adult Fiction Novels about Hurricane Katrina. 2023, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Heeg, Stefanie. "This little Divell, Love": Love, Magic, and Medicine - Jacques Ferrand and Robert Burton's Strategies Writing about Love Magic. 2023, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Danomara, Natalia. Is this the real life? Is this just fantasy?’: (Re)Constructing Identities in Bohemian Rhapsody (2018) and Rocketman (2019)”". 2022, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Geiser, Stina. "She Must Rise, or They Will Fall": An Analysis of Ancient Greek Mythological Agency and Determinism in Josephine Angelini’s Starcrossed Series. 2022, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Grasso, Alexandra. "It’s Promethean, man!" – Posthuman Negotiations and Representations of Artificial Intelligence in Frankissstein, Ex Machina, and Machines Like Me. 2022, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Gut, Joana. "I am a Forest now. An Uprising Forest." Transformations of the Female Body in Atwood’s The Edible Woman, Han’s The Vegetarian, Garland’s Annihilation, and Langseth’s Love and Anarchy. 2022, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Ueberwasser, Alissa. How to Put Magic into a Spell: The Claim to Magical Authority and the Incorporation of Magical Power into Acts of Verbal Communication in Aleister Crowley’s Magick in Theory and Practice, Janet and Stewart Farrar’s Spells and How They Work and Elizabeth Pepper's Magic Spells and Incantations. 2022, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Wenk, Aline. Detecting Nation and Gender: Contemporary Scottish Crime Fiction by Louise Welsh, Val McDermid and Denise Mina. 2022, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Moser, Salome. Narrating Petro-Urbanisms: Oil Towns in the North American Novels Long Change (2015), Heat and Light (2016) and Valentine (2020). 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Offreda, Flavia. "A Daemon Is Not an Animal [...] a Daemon Is a Person". The Liberation of Literary Animals in Philip Pullman's 'His Dark Materials': A Literary Animal Studies Case Study. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Plattner, Nadine. "lt's About the Kink of Your Hair". The Politics of Hair in Chimamanda Ngozi Adichie's Half of a Yellow Sun, Americanah, The Thing Around Your Neck and Hair. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Wittwer, Bettina. Book Reviews in the Digital Age: the Case of BookTube. 2021, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Aresta, Lukas. The Homoerotic Grand Tour. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Büttler, Emmanuel. Die Zeit malen – Die Bildpoetik aus der Perspektive einer visuellen Narratologie. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Mathys, David. "What World ls This?": Constructions of Space and Place in Shakespeare's Pericles, Antony and Cleopatra and Twelfth Night. 2020, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Bettschen, Laura. A Whore for Bread, five Times a Wife, and a Woman of Pleasure: Literary Depictions of Female Prostitution in Daniel Defoe's "Roxana" and "Moll Flanders" and John Cleland's "Fanny Hill". 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Cadalbert, Livia. Fortified Morally by the Luxurious Surroundings': The Interrelation Between Individualist and Consumerist E(s)th(et)ics in Patricia Highsmith's Ripliad. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Hägele, Kathrin. "A Guide for the Greedy": Elizabeth Robins Pennell and Women's Changing Habitus in the Nineteenth Century. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Mondia, Michele. Chasing the Green Light: (Self-)deception and disillusionment in F.Scott Fitzgerald's novels. 2018, Master Thesis, University of Basel, Faculty of Humanities and Social Sciences.

Preprint

Marti, Markus. (2009) SH:in:E - Shakespeare in Europe.